The Walk in the Park

 
Originally printed in the MAY-JUNE 2006 issue of Quest magazine. 
Citation: Boyd, Tim. "The Walk in the Park." Quest  94.3 (MAY-JUNE 2006):97-100.
 
by Tim Boyd
"We must ever be ready to accept the totally unexpected, the miraculous" 
—Rudhyar

Theosophical Society - Tim Boyd was elected the president of the Theosophical Society Adyar in 2014. He succeeded Radha Burnier.

In April 1973, during Spring break from college, I drove from New York to Chicago with my father, who was going there on business. Like many vacation idled youth, I did not have any particular plan for my holiday, and when my father asked me to join him, I said yes. It was a casual decision made without deep reflection or any sense of portent. But this casual decision would completely change the course of my life and set me on a path of training with a spiritual teacher.

I was going to Chicago visit my cousin, Barrett. I had not seen him in two years and remembered him as something of "a wild and crazy guy." Barrett's mother and father were socially prominent people who had given him far too much. He was used to the good life, and often got in trouble for pushing the limits. It promised to be a fun vacation.

After arriving, I soon noticed that my cousin had changed since we were last together. He seemed calmer, and enjoyed talking about the power of thought, healing, Nostradamus, and psychic senses. All of this was foreign to me, and seemed totally incongruous coming from my formerly delinquent cousin. Probably the oddest thing I witnessed during our first couple of days together was his morning ritual. Each morning, he would get up and sit on a cushion in the corner. He would cross his legs and sit facing the wall. What happened next was the strange part for me. He would sit there for fifteen or twenty minutes doing nothing, just sitting motionless. When I asked him about it he said he was "meditating".

I could no longer contain myself, and said, "Barrett, you have really changed since the last time I saw you." (What I really meant was, "You are not the guy I had planned to spend my vacation with.") To which he replied, "You need to meet my teacher, the Old Man." I could feel my vacation slipping away. I thought I had left teachers behind at school, and certainly the thought of spending my time with an "Old Man" did little to kindle my enthusiasm. Nevertheless, next day, I accompanied Barrett, his friend Al, and Al's girlfriend on a visit to the Old Man. 

First Encounter: "I'll See You Soon, Son"

That first meeting lived up to my relatively low expectations. A very tall young man answered the door and led us into the living room. His name was Larry. He had been around the Old Man since he was a kid. A few minutes later, the Old Man came downstairs, followed by another of his students, Calvin. The Old Man knew everyone there except me. He introduced himself, "Hello, I'm Bill Lawrence, but a lot of my young friends call me the Old Man." I was surprised to discover that he was not the crusty old codger I had expected. He was an extremely handsome man, in his early fifties, with his straight black hair combed back. He had an olive complexion, sharp features and piercing dark brown eyes. It was difficult to determine his ethnicity. My initial impression was American Indian, but after looking at him for awhile I thought he could have been from Latin America, North Africa, the Middle East, India or the Mediterranean.

He turned out to be quite a conversationalist. When he spoke he was very positive and had definite ideas about things. Although the encounter did not leave a deep impression on me, one incident did stand out. While the Old Man was talking, Al was distracted and kept rubbing his forehead. The Old Man asked if he was all right, and Al responded that he had a bad headache. The Old Man said, "That's no problem. Larry and Calvin, take his headache." Larry and Calvin placed a chair in the middle of the room and beckoned Al to sit down. Larry stood behind Al, Calvin stood in front of him. They rubbed their hands together rapidly and then held them four to six inches from Al's head. After a minute or so, they shook their hands, as though they were shaking off water, and sat back down.

The Old Man asked Al how he felt. With an obvious sense of relief, Al said, "That feels so much better." I did not know what to think about what I had just seen. I had not really seen anything. They had not given any medications to Al; they had not massaged his neck or shoulders; they had not done anything but rub their hands together and point them at Al. And yet, Al was clearly relieved. Lacking a familiar mental compartment for this event, I just let it go.

After an hour had passed, we all got up to take our leave. The Old Man walked us to the door. As I passed by him, I gave him the formulaic farewell, "Goodbye, it's been nice meeting you." To which he responded, "I'll see you soon, son." For the past hour, I had sat patiently listening to his definitive pronouncements, but this time I felt he had gone too far. I told him, "I don't think so. I am leaving early tomorrow morning." He smiled, looked me in the eye and repeated, "I'll see you soon, son."

Afterward, there was not much discussion in the car. For Barrett and Al, it was just another day with the Old Man. But I didn't get it. He was an interesting fellow, and a gifted storyteller, but the reason for their inordinately high regard for him eluded me.

We dropped off Al and his girlfriend, and then ran some errands before returning home. We planned to go out that night, and I wanted to be ready to leave in the morning, so I started packing my things. While placing my few belongings in the bag, I discovered that something I had brought with me was missing — something private and valuable to me. I asked my cousin if he had seen it, but he hadn't. We searched the room. After a half hour of futile searching, Barrett said, "Maybe we should ask the Old Man."

I snapped and said, "Barrett, what are you talking about? Don't you think that you are getting a little carried away with this 'Old Man' thing? He lives on 33rd Street. We are here on 83rd Street. What could he possibly know about any of this?" Even though I was still distraught about losing my treasure, it felt good to set Barrett straight about what I was starting to view as an illogical, unthinking and misguided reverence for the Old Man.

Barrett did not argue with me. He just looked at me. The look he gave me was the type you would give to some harmless crazy person in the street -- one of those people arguing with a lamp post or having a heated discussion with some invisible friend. It was a benign glance of genuine pity for someone who simply does not understand. 

Second Encounter: "What Can Be Denied Me?

That night, we stopped by the home of one of Barrett's friends. After listening to music, talking, and dancing we left. I had thought that we were going to another friend's house.

I did not have a good sense of direction in Chicago. It was all new to me. But when Barrett pulled over to park, I realized that we were in front of the Old Man's house.

Calvin let us in and invited us to come upstairs. Although the Old Man had come downstairs to visit with us that afternoon, he was recovering from a very recent surgery and needed to conserve his energy. The Old Man was sitting up in his king size bed. Calvin had placed a couple of chairs for us, next to the bed. When I stepped in the bedroom door, the Old Man's eyes sparkled. He flashed a big grin at me and said, "Hey, we meet again." Then I remembered his words from earlier that day, "I will see you soon, son."

At that point, he had my attention. What he said next brought my mind to a complete stop. "The lost things you came here to ask about," he remarked, "you will get your answer when you get back to New York." All of this before I had even sat down. After I took my seat, he did not say another word about our previous meeting or my missing possessions. He switched gears completely and started talking about the "ageless wisdom," Theosophy. In a rhetorical way, he asked, "You think you know yourself pretty well, don't you?" "You walk in here wearing your black pants, your little brown jacket with the patch pockets. You have your hair combed just so...That's what you want the world to see, but when I look at you I see beyond all of that. This body that you pay so much attention to is the least of you. You have six other bodies that you can function in fully and consciously."

The Old Man spoke about many things that night. In the years to come, I would be privileged to sit with numerous spiritually awakened individuals, but no one expressed these deep truths like the Old Man. Even though the subject was profound and often abstract, he had a way of making it seem immediate and personal. At one point, he said, "I see a young man..." and then proceeded to describe him in great detail, right down to a small scar next to his left eye. He said that I knew him. Of course, I did. It was my former high school classmate, Bob. He said that I had regarded him as a friend, but that Bob had harbored a hidden jealousy toward me. All of this was true.

He then described an incident that had occurred three years earlier, in which I was injured playing basketball. He said that my supposed friend, Bob, had deliberately tried to do me harm. Although I had not thought about it since it happened, I remembered that Bob and I had been playing together on the same team when I was injured. At the time, I had thought of it as an accident, just one of those things that happen in the heat of the game. But replaying the event in my mind, I realized that it had definitely been a deliberate act.

p style="text-align: justify;">As if I needed further proof that his clairvoyance was genuine, he described several other events in my life which only I could have known about, with complete accuracy. Then he said, "I'm going to share something with you. It is a mantra that I created for myself. I repeat it silently throughout the day. Listen to it. It might do you some good. 

 
I know that I am a spark from that Eternal Flame.
I am a grain of sand on this beach of Life.
I am related to a blade of grass;
Correlated to a leaf on a tree.
I am part of the Universal All.

 

"What can be denied me?"

I listened with rapt attention. Never had I heard or read any of this, yet somehow it all seemed so familiar to me. Finally, the Old Man said, "Son, you probably better get up and go now." To which I responded, "No, that's all right. Please don't stop." He said, "But don't you remember, you have to leave early in the morning? Take a look at your watch." I checked my watch. It was four o'clock in the morning! I had been sitting in that same chair listening for six hours, yet I had no sense of the passage of time.

The drive back to New York City was a blur. Something odd was happening in my mind. I was not analyzing or even thinking about the many things the Old Man had said to me. I did not feel any quickening of the mind or spirit. It was more like a feeling of being suspended somewhere in space. Not fully here or there; somewhere in between, but between what and what? I could not say. 

Epiphany: I am a grain of sand on this beach of Life

In New York, I had a couple of days left before I had to return to school. I began to wrestle with the things I had heard. I went for a long walk in the park to try to digest it. When I was in Chicago with my cousin, I had asked him if he had any books about this "spiritual thing". He handed me a short book on yoga. I glanced at it, reading no more than paragraph. Nothing in it caught my attention. I put the book down and thought no more about it. But on my walk in the park, the one short paragraph I read came to mind. It was about the breath, and the power and importance of rhythmic breathing. It outlined "puraka" (inhalation), kumbaka (the space between breaths), and rechaka (exhalation).

As I began to focus on the breath, the rhythm of walking and the rhythm of breathing seemed to blend together. I felt a sense of calm and clarity. Everything around, and inside of me, seemed to become slow and quiet. I found myself thinking about the Old Man's mantra. The problem was that I could not remember all of it. The only line I could remember was "I am a grain of sand on this beach of Life." Walking, breathing, thinking, I found myself completely absorbed in that one line from the mantra.

And then something happened -- something so sudden and so profound that nothing could have prepared me for it. When walking down a broad flight of stairs in Riverside Park, in the space of time between lifting one foot and setting it down again, something inside of me shifted utterly and irrevocably. It was as if a surrounding shell cracked and fell away revealing a wondrous new world. Everything I saw and heard seemed to be alive and filled with meaning. I experienced a stillness which was not merely an absence of noise or disturbance, but something like an omnipresent foundation of being, underlying the worlds of activity and thought, and which when experienced breathed extraordinary meaning into what I imagined to be the mundane, "ordinary" world.

The Old Man's mantra no longer merely spoke of the insignificant, infinitesimal grain and the infinite beach; it mirrored my experience of union with a boundless network of life and my intimate participation in that greater life. As I continued walking, new levels of perception unfolded. I could ask a question inwardly, and then wait in stillness while an answer would play out in my mind's eye, like a movie. Some of the scenes were symbolic, others quite literal.

Whenever I have attempted to recount this experience, I have invariably encountered the poverty of our language to describe such inner states. In later years, in books and world scriptures, I encountered descriptions by others who had similar awakenings. For example, in Varieties of Religious Experience, William James uses the term "invasion of consciousness" to describe the experience of having the boundaries of ordinary awareness suddenly overwhelmed by some greater consciousness. (James 1961) There is a medieval drawing of a man standing in an ordinary room who peeks his head through a curtain. With his body in the "normal world," and his head on the other side of the veil, his normal world has disappeared and he finds himself in a startling new realm amidst an expanse of stars, comets, planets and other luminary bodies. In Psalms 46:6, there is a line that reads, "He utters His voice and the earth melts." (Bible)

Over the next two weeks, the experience deepened and became increasingly nuanced. Like a tree whose roots spread wide and deep into the darkness of the earth, I seemed to be connecting with and receiving sustenance from an ever-expanding inner world.

But then, it began to fade. As Sophocles writes in Antigone, "Nothing vast enters the lives of mortals without a curse." (Sophocles) To be admitted to the sunlit world of my mountain peak experience, and allowed to stay awhile and explore, only to suddenly find myself cast out and returned to the shadows of my previous life seemed unbearable. Outwardly nothing had changed, but inside nothing was the same. All that I had seen and experienced demanded that my living align with it, yet the guiding vision was no longer present and vital. It had become a beautiful dream-like memory. (Within a year, I was living in Chicago and studying with the Old Man. I had planned to stay for three months. My visit lasted thirteen years, but that is another story. )

There is one last twist to the story. Although, at the time, it seemed as incidental as adding one more flower to an already beautiful bouquet, an hour before leaving New York to return to school, I found out what happened to my lost possessions, just as the Old Man had promised.


References

Bible. Psalms 46:6

James, William. The Varieties of Religious Experience. Crowell-Collier, 1961

Rudhyar, Dane. Occult Preparations of a New Age. Wheaton, Illinois: Theosophical Publishing House, 1975.

Sophocles. Antigone.

 


Synchronicity and the Mind of God

by Ray Grasse
 
Originally printed in the MAY-JUNE 2006 issue of Quest magazine. 
Citation: Grasse, Ray. "Synchronicity and the Mind of God." Quest  94.3 (MAY-JUNE 2006):91-94
 
Those who believe that the world of being is governed by luck or chance and that it depends upon material causes are far removed from the divine and from the notion of the One.
—Plotinus, Ennead VI.9

Theosophical Society - Ray Grasse worked on the editorial staffs of Quest Books and The Quest magazine for ten years, and is author of The Waking Dream: Unlocking the Symbolic Language of Our Lives (Quest Books, 1996), called by Patricia Barlow "the best book on the issues underlying Carl Jung's concept of synchronicity." He is a widely known astrologer, and studied extensively with teachers in the Kriya Yoga and Zen traditions. Sandy Rodeck is a professional consulting astrologer, speaker, teacher, and founder of the popular online site, Cosmic Clock Astrology. She has over 25 years of experience applying her integral techniques with an international clientele of individuals and businesses. Sandy truly puts her heart and soul into her stargazing, always leaving her client in the driver's seat with a wealth of information. She is well recognized for the mystical interconnectedness she brings to each consultation and is currently an in-house reader at the Theosophical Society's Quest Book Shop.  Dave Gunning i

While preparing for his role in the 1939 film The Wizard of Oz, actor Frank Morgan decided against using the costume offered him by the studio for his role as the traveling salesman Professor Marvel, opting instead to select his own wardrobe for the part. Searching through the racks of second-hand clothes collected over the years by the MGM wardrobe department, he finally settled on an old frock coat that would eventually serve as his costume during filming of the movie. Passing the time one day, Morgan idly turned out the inside of coat's pocket only to discover the name "L. Frank Baum" sewn into the jacket's lining. As later investigation confirmed, the jacket had originally been designed for the creator of the Oz story, L. Frank Baum, and had made its way through the years into the collection of clothing on the MGM backlot.



Most of us have, at some point or another, experienced certain unusual coincidences so startling they compel us to wonder as to their possible significance or purpose. Do these strange occurrences hold some deeper meaning for our lives? Or are they simply chance events, explicable strictly through statistical processes and probability theory, as most modern scientists would contend?

Among those who wrestled with such questions was the famous Swiss psychologist Carl Jung. Having experienced many such events himself, he eventually coined the term synchronicity to describe what he saw as the uncanny phenomenon of meaningful coincidence. While some coincidences were indeed meaningless, he wrote, every now and then we encounter those confluences of circumstance so improbable that they seemed to hint at a deeper purpose or design in their occurrence.

To explain the workings of such phenomena, he theorized the existence of a principle or law in nature quite different from that normally described by conventional physics. Whereas most visible phenomena in our world appear to occur in a linear, cause-and-effect way, like dominos falling upon one another, synchronistic events were "acausal," in that they seemed linked by deeper archetypal patterns rather than by linear forces. For instance, the presence of Baum's coat on the film's set didn't in any way cause the making of the film, nor did the making of the film bring about the coat - they simply were dual expressions of the same unfolding matrix of meaning. In this way, Jung postulated two primary types of acausal relationships: Between two or more outer events in a person's life, or between an outer event and an inner psychological state.

Since first being published in 1952, Jung's concept has become an increasingly familiar one throughout popular culture, having made its way into the plot lines of TV shows, best-selling works of fiction like The Celestine Prophecy, and even the lyrics of rock songs by groups like The Police. In more philosophical quarters, there have been many attempts to shed further light on this important notion, with some even speculating, in the footsteps of Jung himself, that the key to understanding synchronicity might someday lie within the discoveries of quantum physics. As Robert Anton Wilson wrote nearly two decades ago:

Jung was on the right track. He kept insisting that somehow, somewhere in quantum theory, the actual mechanism of synchronicity would be found and defined. In the late 1980s, it begins to look as if we have started to understand it. (50)

Yet for all of this, the mystery of synchronicity remains unsolved. A half-century later, we still find ourselves essentially no closer to unlocking the deeper mechanism underlying Jung's concept than when it was first introduced. Why is this?

One possibility might be that we have been looking in the wrong place for our answers. Could it be, in other words, that we have been approaching this problem from too narrow a perspective, and in so doing missing the forest for the trees? By way of analogy, consider the well-known parable of the blind men and the elephant: Five sightless men come across a great elephant, and each one tries to determine its true nature from their own limited perspective. For one, grasping only its trunk, it seems like a large snake, while for another, feeling only its leg, it appears like a tree, and so on. Because of their partial vantage points, none of them can really grasp the true nature of this beast, which can properly be understood only from a larger, more global perspective.

Similarly, it may be that by focusing our attention entirely on the phenomenon of isolated coincidence, we are examining only a small facet of a much larger reality. Unlocking the significance of synchronicity may require us to step back and view this problem in a completely different light—perhaps even within the context of an entirely different cosmology. 

 

The Symbolist World View

 

What, then, is this "different cosmology" to which I refer? It is a perspective other writers and I have referred to over the years as the symbolist worldview. This perennial viewpoint has been expressed through the centuries by such diverse figures as Plotinus, Pythagoras, Emerson, Jacob Boehme, and Cornelius Agrippa, to name a few. This way of thinking holds that the universe is a reflection of an underlying spiritual reality, and that all phenomena and forms are symbols of deeper truths and principles. As the Swedish scientist and mystic Emmanuel Swedenborg wrote in Heaven and Hell, "There is a correspondence of all things of heaven with all things of man." All things reflect the deeper ideas and principles of which they are a tangible expression or "signature," and can be deciphered for their subtler significance.

For the symbolist, all events and phenomena are to be regarded as elements of a supremely ordered whole; like the intricately arranged threads of a great novel or myth, the elements of daily experience are perceived as intimately interrelated, with no situation or event out of place, no development accidental. Consequently, even a seemingly trivial occurrence may serve as an important key toward unlocking a greater pattern of meaning: The passage of a bird through the sky, the appearance of lightning at a critical moment, or the overhearing of a chance remark—such things are significant to the degree we perceive them as interwoven within a greater tapestry of relationship.

Pervading the warp and weft of creation exists a web of subtle connections known as correspondences. The American essayist Ralph Waldo Emerson once said, "Secret analogies tie together the remotest parts of Nature, as the atmosphere of a summer morning is filled with innumerable gossamer threads running in every direction, revealed by the beams of the rising sun" (949). Throughout the ages, magicians and esotericists labored to construct elaborate "tables of correspondences" which attempted to link all the parts of nature in a grand web of harmonies. In this way the Moon is said to be linked with such other symbols as the home, women, the principle of change, and emotions generally, while Mercury is linked with matters of communication, publishing, travel, the mind, and so on. Understanding the essential principles that underlie all phenomena provides the esotericist with a skeleton key that allows him or her to unlock the language of both outer worlds and inner dreams.

Of course, since the rational Enlightenment of the17th century, the belief in correspondences has been dismissed by scientists as nothing more than an antiquated metaphysical fiction, comparable to a childhood faith in Santa Claus or the tooth fairy. Yet as will become obvious to anyone who actively engages in the practice of astrology for any length of time (versus those who might critique it strictly as armchair theorists), such correspondences are indeed quite real, and not simply the stuff of overactive imaginations. Consequently, when Neptune impacts a person's horoscope in stressful ways, we may see problems arising around matters of deception or drugs in their life; or when Jupiter crosses over that person's Venus, a run of good luck can suddenly occur in the realms of romance or finances. Ultimately, the horoscope provides a complex map of the symbolic relationships and correspondences that weave through a person's outer and inner life, illustrating their archetypal potentials in a wide variety of ways. 
 

The Implications for Jung's Synchronicity

So what does this ancient worldview and its core principles have to offer us in our understanding of synchronicity? For one, consider the question of this phenomenon's true frequency—how often it actually occurs in our lives. While there is evidence that Jung privately entertained a more comprehensive view of this phenomenon, in his formal writings he professed the belief that synchronistic occurrences were "relatively rare" and went to great pains to distinguish meaningful coincidences from conventional ones.

To the symbolist, however, coincidence is merely the tip of a much larger iceberg, the most visible aspect of a more pervasive framework of design that underlies all experiences. The circumstances of an entire life comprise a complex fabric of meaningful connections and linked analogies that extend to all aspects of personal experience—the body, outer events, inner states and dreams, and actions or gestures—and beyond, even to the collective and universal spheres of existence. Indeed, one might well say that everything is a coincidence, insofar as everything co-incides.

Jung regarded the synchronistic event as an important "eruption of meaning" in our lives; yet as divinatory systems like astrology demonstrate (and as I explore more fully in my book The Waking Dream), there are actually many types of meaning in our world besides that found strictly in the occasional coincidence. To borrow a phrase from William Irwin Thompson, we are like flies crawling across the ceiling of the Sistine Chapel, unaware of the complex archetypal drama spread out before us. What the infrequent dramatic coincidence does is simply pull back the curtain on that vast drama ever so slightly to make us aware of but one small detail in that complex tableau of meaning.

For this and other reasons, it may be said that the essential heart of synchronicity lies less in the study of acausality than in a fuller understanding of meaning, to be unlocked not through the tools of science but through those of philosophy and hermeneutic inquiry. As with the studies of astrology and divination, fully comprehending the significance of meaningful coincidence may demand nothing less than a "unified field theory" of meaning, incorporating such diverse subjects as sacred geometry, the theory of correspondences, chakric psychology, number theory, and a multi-leveled cosmology, to name just a few. Only within the broad framework offered by a sacred science such as this can we hope to truly grasp the "whole elephant" of synchronicity, as it were, and not simply one of its isolated appendages, as found within the occasional remarkable coincidence.

And it is against the backdrop of this broader perspective that we stand to uncover an even deeper truth in the workings of synchronicity, one extending far beyond simple matters of either acausality or correspondence. In his book A Sense of the Cosmos, author Jacob Needleman offers the following comment about the curious symmetry found within the ecological web of nature:

Whenever we have looked to a part for the sake of understanding the whole, we have eventually found that the part is a living component of the whole. In a universe without a visible center, biology presents a reality in which "the existence of a center is everywhere implied." (64; emphasis mine)

Needleman's comments here might well be taken as a useful analogy for our understanding of synchronicity, too. In order for the diverse events of our lives to be interwoven in as intricate and artful a way as synchronicity implies (and as systems like astrology empirically demonstrate), there would seem to be a regulating intelligence underlying our world, orchestrating all its elements like notes within some grand symphony of meaning. We needn't think of this as necessitating the involvement of some bearded, anthropomorphic deity on a heavenly throne, of course. As we saw at the opening of this article, the Neoplatonist writer Plotinus referred to it simply as "the One," while the mystic geometers of old sometimes described this unifying principle as a sphere whose center was everywhere and whose circumference was nowhere.

Whatever we choose to call it, it speaks of a coordinating agency of unimaginable scope and subtlety whereby all the coincidences and correspondences of the world coalesce as if threads in a grand design, and within which our lives are holoscopically nested. Seen in this way, the synchronistic event can be thought of as offering us a passing sideways glance, as if through a glass darkly, into the mind of God.


Ray Grasse is a writer, editor, and astrologer. This article was adapted from his book, The Waking Dream: Unlocking the Symbolic Language of Our Lives (1996, Quest Books). He is also author of Signs of the Times: Unlocking the Symbolic Language of World Events (2002, Hampton Roads Publishers). His website is www.raygrasse.com, and he can be contacted by email at jupiter.enteract@rcn.com.

References

Emerson, Ralph Waldo. The Complete Writings, vol. II. New York: William H. Wise, 1929, p. 949.

Jung, Carl. "Synchronicity: An Acausal Connecting Principle," in The Structure and Dynamics of the Psyche, Vol. 8, Collected Works. Princeton, NJ: Bollingen Series, Princeton University Press.

Needleman, Jacob. A Sense of the Cosmos: The Encounter of Modern Science and Ancient Truth. E.P. Dutton & Co., Inc., 1975, p. 64.

Wilson, Robert Anton. "Synchronicity, Isomorphism, and the Implicate Order," Gnosis. Winter 1989, p. 50.


Thinking Aloud: Men Are Particles, Women are Waves

By Lance Hardie

Everything you ever wanted to know about psychology—or physics—is contained in those words. True or false?

Man, he lives in jerks—baby born an' a man dies, an' that's a jerk—gets a farm an' loses his farm, an' that's a jerk. Woman, it's all one flow, like a stream, little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that.

That's Ma talking to Pa towards the end of John Steinbeck's novel The Grapes of Wrath. Things have not been easy for any of them; for Pa, it has finally come to the point of self-pity. Well, it takes less than three lines of text for her to set him straight. Though she may put it in her own language, Ma knows all about life in terms of male-female polarities. And, when all is said and done, it is she who doesn't break.

 

Of course male-female polarities have been around since—let's go ahead and say it—since the Big Bang. And knowledge of them at least since we shed our primate fur. The particular mode those polarities assume to become behaviors, not to say social structures and political styles—that's a subject much in vogue nowadays.

It is a fact that the male nature tends to be mobile, explosive, and aspiring to enter new territory and scale the heights. This is how the human sperm, among other male vehicles, has been observed to behave. The egg, on the other hand, tends to be settled, protected, and aiming to embrace and dissolve (all right, nurture) an approaching candidate—a female role by definition, generally, or at least by convention.

Moving down the hierarchy through the animal and vegetable realms and past the mineral to the submolecular world, we find an odd correlation. Early in the twentieth century physicists trying to make sense of the structure of the atom bumped up against the particle-wave paradox. Now here is the strange thing. In the world of subatomic physics, particles are seen to display "masculine" behavior while wave phenomena seem to have characteristics more easily associated with "feminine" ways.

The first question that immediately comes to mind is: What about "particles" that sometimes appear to be waves, and "waves" that can also manifest as particles? Even more amazing is that this dual nature of subatomic entities doesn't differ much from what psychologists have discovered in human beings. We all have masculine and feminine aspects to our personalities. Carl Jung called a man's feminine aspect the anima, and the masculine counterpart in a woman the animus. For example, a man's moods originate in his anima, and a woman's bossiness (and some have claimed even her bitchiness) comes from her animus. In Jung's system, individuation or healing takes place within the psyche when the personality is finally integrated.

Is there any question that men like to play ball? Any kind of ball. Whatever culture you live in, there is a popular ball game that men play. Hurling projectiles is one of our basic, primitive drives as men. Dealing with containers is one of the basic, primitive drives of women. It extends, traditionally, to storing, carrying, cooking, and serving. The sexual roles are corollary aspects of these basic tendencies.

However one might feel about "accidents of nature," it seems reasonable to speculate that this similarity can't be the result of such an accident. I'll go out on a limb and propose that the male-female polarity extends to the entire universe, and that it can be found in every layer of reality. It is tempting, therefore, to assert that in the subatomic world particles are "male," waves are "female." Particles are the very stuff of bombardments and collisions, of subparticles flying apart and annihilating each other, the kind of physics favored by—surprise!—male physicists.

In this sense, the notion that the universe began its existence in a Big Bang is a mental projection of what we might call, with complete innocence, "male physics." What's missing is the polar counterpart. The Goddess advocates are right in at least one respect: modern scientific models do not make room for a feminine element in the scheme of things. If the universe is a dance of male and female energy forms, where is the female in our current creation myth? Our Father exploded and sent His seed in all directions. Okay so far. Now then, didn't it have to fall somewhere in order to grow? Who was fertilized by it? See the problem?

In the billiard ball model of the world no reference is made to the balls ever falling into pockets! The balls are there, the pockets are not. How can this be? All the balls can do is collide with each other, endlessly, ad infinitum. You would think that even male physics—especially male physicists—would want to score once in a while. It's a mystery. The metaphor that would brand the scientific brotherhood as a sort of priesthood is closer to the truth than its proponents suspect. By this account, science is not just defeminized; it is positively dehumanized.

Now, just for fun, consider a female-only version of this story. Let's call it the Big Swell.

There is no sudden beginning. Instead there is a slow buildup from an original state, a watery kind of primordial energy matrix pregnant with all possibilities. This state might be similar to what some now call the Zero Point Field, the latent, potential field out of which everything arises into existence. There is organic growth out of this Watery Mother, the infinite container of All That Can Be. And even as new forms arise and grow away from the Original Mother, the Source is always there, continuing to feed the stream that emerges endlessly from it.

Anyone who takes a moment to look at our universe can see the waves that shape the galaxies and drive the orbits of the bodies traveling through space. Astronomers speak of gravitational "resonances" between planets and moons and asteroids and planetary rings. What are these if not wave phenomena? Close your eyes, forget the theories, and let your mind drift for a moment.

Imagine the Great Mother singing to her children as they learn to dance in the infinite space of endless creation. There are collisions here and there, certainly, and it is plain to see that they are necessary steps in the dance if the dancers are to follow the music. If physics had feminine roots and practitioners, there is a good chance that modern physics would conform to some variety of this model. We see what we are. We make what we are. And not because of meanness or prejudice. We do it because it comes naturally to us and we believe it to be the truth.

So then, are men particles and women waves? Well, sure, and they are also both. Part of the wave-particle paradox is that the two aspects cannot be truly separated. Their essence is not entirely in our "reality," so much so that they have been called "wavicles" to emphasize their strange nature. And it is also not news that men have a feminine element within them as women have a masculine counterpart in their makeup, though we both have our dominant modes in thinking, feeling, and behaving.

When we feel a "resonance" with another, it may be less the particle or wave aspect that does it than the movements of the larger ocean and atmosphere in which we live. To grow, to become integrated, means to rise above the smallness of our world, to a larger horizon that includes those parts of ourselves that we have denied or failed to see. To the extent that we achieve that aim, to that extent we achieve peace and true humanity. And to that extent we bring about the Knowledge of our Father and the Wisdom of our Mother—and the Love of both.

 

Explorations: Isis and Osiris-Death and Resurrection

Explorations: Isis and Osiris-Death and Resurrection

By Normandi Ellis

Religious rites and traditions often center upon a culture's story of its dead and resurrected god. Egyptian religion is no different. The myth of Isis and Osiris is the pillar of Egyptian religion. As Judas betrayed Jesus during the Passover feast, so did Seth betray his brother Osiris in the midst of a grand feast held in Osiris's honor. Here's how it happened:

The good king Osiris was in his twenty-eighth year. He and his sister-wife Isis had been given the rich, fertile black land of the Nile valley and delta, whereas brother Seth and his sister-wife Nephthys were bequeathed the barren, red desert lands. Seth felt cheated. In their land, the royal couple Osiris and Isis were much beloved, having taught their people the ways of agriculture and a nonviolent life. Seth's tribe, on the other hand, were still a ragtag group of warriors and hunters who had to scratch subsistence from the desert mountains and valleys. They wanted what Osiris had.

While the goddess Isis was away, Osiris generously invited his brother Seth and Seth's whole entourage to join him and his people in a harvest festival, with abundant food and copious amounts of wine and beer. The palace was all in festivity of music and dancing and merriment.

Seth appeared, bearing a gift—a box richly adorned with jewels and gold. As a party game, he announced he would give the box to any man or woman who might lie down in it and fit exactly. Of course, the trick was that it had been built precisely to the proportions of Osiris. Like Cinderella's glass slipper, it would fit none except its rightful owner. When Osiris lay within it, Seth and his seventy-two rabble-rousing companions closed him up inside and sealed the coffin with lead.

Amid the ensuing confusion and under the cover of darkness, Seth's gang hurried the box down to the river's edge and threw it into the Nile, drowning Osiris in the jeweled coffin. The river carried his body inside the box downstream, until it finally came to rest in a foreign land, moored against a tamarisk tree that grew around the coffin, completely trapping the body of Osiris within.

When Isis finally heard the news, she was beside herself with grief. She came home to find that Osiris was dead, his body had vanished, and her younger brother was her husband's murderer. In the manner of widows of her nation, she cut off all her beautiful long hair and walked barefoot along the banks of the river, searching for the body of her husband. She no longer resembled the beautiful queen of Egypt, but appeared in the grim visage of a hag; thus her own people rejected and scorned her. At last, following the river, she discovered that the chest had sailed down the Nile, clear out of Egypt into the Mediterranean Sea, and had been cast onto the shores of Byblos and lodged in the branches of the tamarisk tree. Even though Osiris was hidden, the good wife Isis recognized that the tree contained the body of her husband and so would not leave it.

In the meantime, stories abounded in Byblos of an amazing tree that apparently had sprung up overnight beside the shore of the sea. The king of Byblos was so astounded by the beautiful tree, by its sturdiness, and by its miraculous growth that he had it hewn down and brought to his capital city to make it into the central pillar for his palace.

Dutiful Isis followed the fallen tree all the way to the palace gates. There she sat outside the community well, weeping and wondering what to do now that her husband's body had been taken from her yet again. Common as she seemed on the outside, Isis attracted the interest of the palace servants and the princesses. Who was this strange, ravaged yet beautiful woman sitting beside their well, and why was she crying? As the handmaidens of the queen came closer, they realized this mysterious woman exuded a fragrant perfume from the pores of her skin. Divine beings were said to have a fragrance that was the mark of their divinity, so the servants and princesses reasoned that this woman must be a goddess in hiding.

Because of the delicious odor of sanctity about the woman, the queen decided to give Isis the royal babe to nurse. Thus Isis was taken into the palace as nursemaid and given an infant to suckle and proximity to her husband again. Isis soon became an indispensable part of the palace household and was the much-loved nurse to the king and queen's children. Having lost a husband, Isis knew there is no worse grief than the death of a loved one, so she decided to give the child of this queen a rare gift indeed for mortals—the gift of immortality.

At night, while the palace slept, Isis made magic. She performed a divine alchemy by thrusting the babe into the fire to burn away his mortality. While the magical fire performed its task on the hearth, the goddess transformed herself into a kite. She flapped her wings, fluttering about the column in which Osiris resided, keening and lamenting his death with strange, shrill, mournful songs.

This alchemical magic went on for some days, but on the last night of the transforming ritual for the babe, the strange singing of the hawk goddess awakened the queen, who went to investigate. Seeing her child in flames, the queen shrieked and dragged the babe from the fire, thus breaking the spell and depriving him of immortality. Seeing that her gift had been rejected, Isis swooped down before the terrified queen and reassumed her true form as a goddess.

Terrified of having a woman of such power in her kingdom, the queen quickly asked, "What do you want?" She was willing to give anything to get rid of this witch in her house.

"I want the pillar that contains Osiris," Isis said.

Immediately granting her request, the queen had the pillar cut down and sent home with Isis in one of the king's boats.

The Lamentations of Isis was a sorrowing festival held on October 3 to bemoan the loss of light in the northern hemisphere. Six months later, on April 3, came another festival celebrating the return of the light, when Isis found Osiris. On the third night of the festival, the priests went to the river's edge, removed from a box a casket of gold into which they poured holy water, and cried "Osiris is found!" Then fertile soil, spices, and incense were mixed to form a crest of mud, representing the union of Isis and Osiris.

Among the Greek initiates of Isis, this feast day was linked to the Thesmophoria, a festival devoted to Demeter, the goddess of agriculture and marriage. Like Isis, Demeter had also lost a loved one, her daughter Persephone, to the power of the underworld. As Osiris arose to bring renewed life in Egypt, so did Persephone return to initiate the spring growing season in Greece.

The Greek historian Herodotus reported that two women of noble birth from Egypt, called the Danaids, brought these sacred rites to Peloponesia and taught the women there how to celebrate the feast day. In Athens two noble women were chosen to preside over the festival as Isis and Nephthys. They alone performed the temple duties and prepared the festal meal. The Thesmophoria was strictly a women's festival, and a part of the mysteries included mixing seed corn with menstrual blood and planting it to initiate a bountiful agricultural year. After the planting, the women cloistered themselves within the temple to commune with the goddess during the night.

The mystery rites of Isis and Osiris were held in Egypt year after year. Participants returned annually to the temples to be reinitiated and to celebrate the festival of renewal. Performing the Osirian rites was a sacred act of remembering. To forget one's name and one's relationship to the Divine was to die while still living. It was the worst of all possible sins. Therefore, the rites were celebrated yearly. Each year, Osiris was mourned; each spring, his body and spirit were reunited; each spring, he was remembered and reborn.


Normandi Ellis, who has taught English at the University of Colorado and writing at the University of Kentucky, is an award-winning author of books on Egyptian religion, including the Quest Book Dreams of Isis (1995). This selection is adapted from her new Quest Book, Feasts of Light: Celebrations for the Seasons of Life Based on the Egyptian Goddess Mysteries.


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