The Collected Letters of Alan Watts

The Collected Letters of Alan Watts

Edited by Joan Watts and Anne Watts
Novato, Calif.: New World Library, 2017. xv + 599 pp., hardcover, $32.50.

Collections of literary letters still emerge, but tragically there are ever fewer, because email has all but destroyed the art of letter writing. Yet when we find a collection of a great man’s or woman’s letters, doors open for us. We see into their minds and emotions, the weft and weave of their lives becomes an almost tactile texture. Sometimes we’re startled.

Author and lecturer Alan Watts (1915–73) is best known for introducing Zen Buddhism and other Eastern philosophies to the generation that came of age in the 1950s and ’60s. Watts’s importance as a both a commentator on spirituality—indeed a bona fide revelator—and an agent of interfaith communication is never in doubt. He did more to sow the seeds of Zen in the West than any other single writer. His insights into the human and cosmic condition are on par with those of Ralph Waldo Emerson, Swami Vivekananda, J. Krishnamurti, and Aldous Huxley.

This collection of his letters, edited by his two eldest daughters, Joan and Anne, occasionally renders up intimacy; certainly there’s insight, and plenty of intellectual shine. Of startlement there is little in the letters themselves. But the narrative presented in this collection of letters is agreeably goosed by intervals of commentary from Watts’s daughters. They tell us baldly what his letters only hint at: that he could be a womanizer and a kind of romance addict, often marrying and divorcing in search of a new fix. He struggled with alcoholism, and despite his good intentions he could be an aloof father.

The Collected Letters follows the arc of his life. They start with a number of precocious—and a little too precious—boyhood letters written from English boarding schools. This is followed by a good many somewhat stodgy college letters. Thereafter Watts moved to New York, became a citizen of the U.S. and, confronted with practicality, studied for the Episcopal priesthood. The constraints of this profession soon chafed, and he resigned after about six years, in 1950. Thereupon his letters—always well-written—become by turns academically austere, playful, and occasionally giddy during the balance of his life. This period was marked by an increasingly bohemian lifestyle, experimentation with psychedelics, deeper forays into meditation, and philosophical exchanges (only glimpsed in this collection) with the likes of Huxley, Henry Miller, Joseph Campbell, Gary Snyder, and Lawrence Ferlinghetti. The Collected Letters offers a selection of photos that illustrate the same arc, showing us a self-serious teen wearing a school tie, then an uncomfortable, mustachioed adult in suits, followed by the glowering priest in collar; on to long hair, trim beard, casual dress, Japanese kimonos, and loops of wooden beads.

Watts’s boyhood precocity and flair for independent thinking flowered in the 1930s, when he was captivated by a book on Buddhism. He officially became a Buddhist at the first opportunity. He wrote articles for a Buddhist magazine so well that he was asked to lecture, as his daughters tell us here, and when he arrived, the group was astonished to discover that he was a teenager. When he was merely twenty-one, he wrote to Carl Jung, taking him to task: “I was rather surprised to hear you say in your lecture . . . that you had never found any mandalas with six divisions.” He then gives Jung a longish epistolary lecture on the parts of mandalas.

 Watts was even younger, in his early teens, when he wrote An Outline of Zen Buddhism, a thirty-two page pamphlet. Just four years later, in 1935, E.P. Dutton published The Spirit of Zen: A Way of Life, Work, and Art in the Far East.

Even as a priest Watts engaged in a quiet but persistent return to esotericism, Eastern and Western. In a letter to a friend in 1944, he said “Prayer in its essence is, of course, the contemplation of God as the living void or . . . the ‘luminous darkness.’ That is to say the aim is to reach the point where you abandon all images and concept of God whatever, as well as all specific technique of prayer.” This kind of casual, heretical discourse would have shocked his superiors in the church. In a letter of 1947 he suggests that the vitality of any religion issues from its esoteric nucleus and without it “there is a general decline of the entire religious and social order.”

In a letter of 1948 to a Yale scholar it becomes evident that Watts has already crystallized one of his key ideas—that the central consciousness of the universe experiences itself through us; that our job is to be God’s means of experiencing itself. “The concept of the infinite giving itself to the finite . . . is the central meaning of most Zen anecdotes.”

As trippy as that idea is, he hadn’t yet taken LSD. That came in the late 1950s. Certainly psychedelic experiences informed his later lectures, his speculation, his aesthetics, and quite possibly his erotic life. There are a few letters here to women self-effacingly, yet cunningly professing love. In his 1959 letter to a woman who was later to become his third wife, he says he has “an awful blast from my former girlfriend in LA . . . pointing out the dreadful defects in my character and intimating I will exploit you just as I exploited her. Oh Jano, aren’t you simply scared to death of getting so involved with me? . . . Perhaps I can console myself with the fact that only for you have I dropped the desire for all other relations.”

Watts never did completely find his way out of a morass of vodka and romance, but he accomplished much, he opened eyes, and he grew spiritually. The Collected Letters is a bit ponderous, at around 600 pages of fairly small print. His true devotees will want to read every word of it; others may choose to dip in. If that’s what you do, don’t neglect the parts written by Joan Watts and Anne Watts: they are nicely composed and entertaining. And the book is a worthy contribution to the literature of letters.

John Shirley

John Shirley is the author of Gurdjieff: An Introduction to His Life and Ideas (Tarcher/Penguin), and such novels as The Other End (Open Road), Demons (Del Rey), and a novel of Arthur Conan Doyle in the afterlife, Doyle after Death (HarperCollins).


An Ocean of Light: Contemplation, Transformation, and Liberation

An Ocean of Light: Contemplation, Transformation, and Liberation

MARTIN LAIRD
New York: Oxford University Press, 2019. 232 pp., paper, $18.95.

There is a wonderful dialogue quoted in the preface to this book. It is from the children’s classic The Velveteen Rabbit by Margery Williams. When the Boy in the story starts loving any of his stuffed animals, they start to become real. The Rabbit, confused, asks the wise Skin Horse, “What is Real?” The Skin Horse tells him, “When a child REALLY loves you, then you become Real. . . . Sometimes pain is involved but then when you are Real, you don’t mind being hurt. . . . and it takes a long time.” Each of us can find a different meaning in this story, but the underlying truth is that love makes us real. Being real requires patience and endurance of hardship and struggles, but it can also smooth the jagged edges of life.

How do we find love that makes us real or, even more, makes those around us real? It is the faculty of loving that we reach through contemplation, which means that we stop clinging to thoughts (even though they may cling to us). Martin Laird’s book leads us through a journey within with a deep understanding of contemplative practice. It is our own unique conversation with the Skin Horse. Our predicaments are many—principally an inability to be aware of our thoughts. Such an awareness, if we develop it, allows us to choose what we give our attention to. The practice of contemplation is not only beneficial for us as individuals but also for the whole world. The fourteenth-century text The Cloud of Unknowing says that contemplation “is the work of the soul that pleases God most.”

Laird’s book is a companion volume to two preceding it: Into the Silent Land and A Sunlit Absence. The first addressed a need in the literature on contemplation for the “intermediates”—those who had a well-established practice. The second one focused more on the challenges in our practice and the nature of awareness: it is not what we are aware of but the process of being aware that needs our attention.

Laird’s current volume explores the themes from previous volumes from a different angle. It is composed of three parts. Part 1 goes into the illusion of being separate from God. We allow the voice of contemplation in our life so we understand the intimate presence of God. God does not know how to be absent. Why do we not see it? It is simply that our “vision is heavily lumbered” and our minds are cluttered.

Part 2 uses this metaphor of cluttering and decluttering as a pathway into the practice of contemplation. Laird stresses that the mind is not something static; it is impermanent. Laird highlights three aspects of mind: the reactivereceptive, and luminous, and he goes into each one with the same four questions: What is practice like? What is ego like? What contemplative skills are developing? What are special challenges?

We all know what practice is like for the reactive mind. It is constantly distracted by events. Our attention is stolen by thoughts and feelings. The ego comes in only one size: extra-large. It desperately tries to cling to what it wants and discards what it does not. The challenge is to bring awareness into the picture.

It is awareness that turns the reactive mind into the receptive mind. The receptive mind is less cluttered. Like the sun breaking through clouds, it has always been there. Sitting in silence is more natural to the receptive mind, and practice becomes a way of life for it.

Is the luminous mind any different from the reactive and receptive mind? Not really. It is indeed the underlying foundation of clarity, devoid of all clutter. The “I” present in the reactive and receptive phases has disappeared. It is radiant, present, pure and simple. It is true contemplative living.

Part 3 of Laird’s book deals with the immensely important topic of depression. Laird uses the term to include anxiety, dark thoughts, and other ailments. He says that the key to coping with depression is understanding that one may never get relief from it; for some, it is there to stay. What do contemplatives do then? They accept depression as a companion: this “frequent pattern of inner weather” needs to be allowed to be present. Through contemplation, we discover an inner stillness that remains even in the presence of depression. Understanding this darkness brings about light! It is a wonderful paradox of contemplative life.

Laird’s book introduces us to many voices of saints and authors and resources that are too many to mention. Some are old friends, some we meet for the first time. It is time worth spending.

Is Laird telling us something new? Jesus said, “Why do you see the speck that is in your brother's eye, but do not notice the log that is in your own eye?” (Matthew 7:3). I remember my mother teaching me the same thing through a Marathi proverb. The underlying truth is profound and deep, no matter the language or religion or philosophy. A new expression always helps!

Dhananjay Joshi

The reviewer, a professor of statistics, has studied Hindu, Zen, and vipassana meditation for forty years. He is a regular reviewer for Quest and volunteers in the archives department of the TSA.


Evolution of the Higher Consciousness: An In-Depth Study into H.P. Blavatsky’s Teachings

Evolution of the Higher Consciousness: An In-Depth Study into H.P. Blavatsky’s Teachings

by PABLO SENDER
Ojai, Calif.: Fohat Productions, 2018. xxvi + 201 pp., hardcover $34.95; paperback $24.95.

Theosophists are often reproached for failing to put their somewhat abstruse teachings into practice. Many people believe that the principles of Theosophy are so abstract and lofty that they are of no practical use in the real world. In the present book, Theosophical teacher Pablo Sender rises above such criticism by presenting Theosophical theory as it was put forth by its original teachers (H.P. Blavatsky and the Mahatmas) and showing how it can be put to work on a practical, everyday level.

Following a brief preface and an introduction setting out the purpose, the book is divided into two parts appropriately labeled “Theory” and “Practice.” This is followed by a short but very complete glossary of Sanskrit and other technical terms commonly used in Theosophical texts.

The theoretical analysis is largely based on the unique Theosophical system of seven “principles” into which the human constitution and that of the universe can be divided. This system is grounded in the simple threefold division (spirit, soul, and body) presented in Isis Unveiled (1877), which evolved over the next few decades into a much more elaborate and complicated sevenfold division. This system, which is characteristic of modern Theosophy, is easily recognizable, even when it is presented by other writers using variant terminology.

The system was originally presented orally by H.P. Blavatsky to two English students, A.O. Hume and A.P. Sinnett, and was further elaborated by her trans-Himalayan collaborators. It was explained from many angles in later writings, including The Secret Doctrine. During the last years of her life, HPB added details and offered refinements. This early material, including some private teachings only recently made available to the public, forms the basis for the present book.

The first chapter explains the human constitution and the three “streams” of evolution explained in The Secret Doctrine: the spiritual stream, the physical stream, and the intellectual stream, which brings together the other two. The spiritual stream traces the journey of the Monad (atma-buddhi) through the kingdoms of life with the ultimate goal of establishing “spiritual self-consciousness.” We see the fruits of the physical stream in the human body and the other living organisms around us. The third or intellectual stream brings about the development of manas or mind, which becomes the “human soul” or “reincarnating Ego.” The goal of this Ego is, as Sender writes, “to become the master of the lower Principles and to merge with the spiritual monad.”

After this introduction, the author moves on to a detailed discussion in chapters entitled “Atman: The Higher Self”; “The Monad”; “Manas: The Ego”; and “Kama: The Animal Soul.” In these chapters, he describes the universal spirit and the three aspects of “soul”—spiritual, human, and animal. The explanations are clear and well-written, and they are supplemented with helpful quotations from the original literature of Theosophy. Useful tables and charts are sprinkled throughout the text to illustrate the points. For the most part, these are original with the author and offer new perspectives on several issues. The theoretical part of the book is completed by the chapters “Communication with the Higher Consciousness” and “Evolution of the Higher Ego.” These tell us what is to be accomplished in order to complete the course of human evolution and bring all three streams to fruition.

The second part of the book, “Practice,” was written in the stated hope that “the more these ‘abstractions’ become a reality to us, the more they will have a bearing on our actions.” The guiding principle in this discussion is the concept of manas taijasa, a Sanskrit term that can be translated as illumined mind. This term was introduced by Mme. Blavatsky, who explained it as “the human soul illuminated by the radiance of the divine soul, the human reason lit by the light of the spirit.” To achieve this state, it is necessary to abandon negative qualities or attitudes while cultivating positive ones. The exercises and meditative practices that follow are meant to enable the reader to carry out these goals.

The chapters “States of Consciousness” and “The ‘Thought-Producer’” are well worth studying, and the time invested in trying the exercises and thought experiments will be amply rewarded. This is not easy material, however, and the exercises require a serious commitment. The book closes with a chapter on “The Sense of Space,” which expands and elaborates upon HPB’s instructions in her diagram of meditation. Once again, the goal is practical realization, and serious effort is required.

Despite the author’s effort to make these teachings accessible and practical, some readers may still find this book to be abstract and hard to follow in places. This is inherent in the nature of the teachings themselves, which, as HPB explained, are not for the lazy or mentally obtuse.

All in all, this is an excellent book. It brings together a wealth of authentic Theosophical material from its original sources. Students familiar with this literature will find it stimulating, and those who have not been exposed to the early Theosophical writings will find it to be an excellent introduction.

Doss McDavid


Introduction to Zen Koans: Learning the Language of Dragons

JAMES ISHMAEL FORD
Wisdom Publications, 2018. 248 pp., paper, $17.95.

Of course the bird we see and hear exists. It exists, but what I mean by that may not be exactly what you mean.

—Shunryu Suzuki Roshi

To come across one good book on a topic like emptiness is what I would call a blessing. To get two is a major blessing!

Emptiness is hard to understand, even though it is a central component of religious teaching. The computer mouse I use feels hard to touch, and my mindfulness training says to feel the hardness and the smooth surface. How do I know that it is empty?

Guy Armstrong, a guiding teacher at Insight Meditation Society in Barre, Massachusetts, has written a book that is practical and easy to follow, especially for beginners, and includes several meditations. The book is in four parts: “Self,” “Phenomena,” “Awareness,” and “Compassion.” The first three parts are based on traditional Buddhist schools, mostly the Theravada Pali canon. The last part is more contemporary.

Emptiness, a translation of the Sanskrit word shunyata, can have a number of meanings. The Buddha discerned that human experience is empty of a self. A present-day interpretation points to a state of mind where we are “in touch with the present moment and not preoccupied with wants, needs, or issues of past or future.”

The section on “Self” is detailed and profoundly enlightening. When we say self, we are saying I, me, and mine. The Buddha said one can use these words, but one should not be confused. The world is empty of self, and the two understandings, absence of self and emptiness, are synonymous.

How do we relate this to our day-to-day experience? There are six ways: our body; ourselves as owners of our body; our emotions; ourselves as owner of our emotions; as an observer; and all of the above. How do these experiences align with the four basic assumptions associated with the self: continuity (we think self is permanent), control (we think self has control over body and mind), independence (we think “I” am seeing), and singleness (we believe we are one person and not two)? The self, as a combination of body, mind, owner, and observer, fails the test of the assumptions. Our experiences are changing moment to moment, and our notion of control is an illusion. What is real, then?

The Buddha said that what makes up a person is the six sense bases and the five aggregates of form, feelings, perceptions, volitional formations, and consciousness. The question again is, are these valid grounds for validation of self, or for some kind of ownership? This points us to a basic cycle: we own because we desire. We become attached because we desire. We suffer when things inevitably change or are broken or die. The great Thai forest master Ajahn Chah explained, referring to a glass of water he had: “You say, ‘don’t break my glass!’ Can you prevent something that is breakable from breaking? If it doesn’t break now, it will break later. If you don’t break it, someone else will. When someone else doesn’t, one of the chickens will. When you use this glass, you should reflect that it is already broken. . . . Develop this understanding. Use the glass, look after it, until one day, it slips out of your hand and breaks. . . . ‘Smash!’. . . no problem. Why is there no problem? Because you saw its brokenness before it broke.”

This is the key to understanding emptiness. How do we assimilate it? Armstrong helps us by giving practical instruction in vipassana, insight meditation. As Anagarika Munindra said, “If you want to understand your mind, sit down and observe it.” We deconstruct our illusions and then see things as they are. Armstrong gives a profound description of how observing autopsies in a local hospital in Bangkok gave him a different insight into our experiences.

The final step in our understanding of emptiness or no-self is to go beyond self. We leave behind blind identifications and develop the three qualities that Armstrong says have the capacity to help us bear the burden of emptiness: compassion, patience, and faith. We practice wholesome action by becoming aware in six different ways: before we act; while we act; after we have acted; in our relationships; in habitual behaviors; and also in mysterious ways we don’t understand. We use karma to change karma and then to end karma! This is called “abiding in emptiness.”

The section “Phenomena” returns us to the realm of the objects of the six senses and asks: in what way do they exist? How do they arise and pass away? The Buddha gave a discourse called A Lump of Foam to address the emptiness of phenomena. Everything is void, hollow, and as insubstantial as a lump of foam on a river.

Armstrong also talks about the seeming paradox in emptiness. Things exist, but they don’t really exist. The Heart Sutra states, “Form is emptiness, emptiness is form.”

James Ishmael Ford’s Introduction to Zen Koans leads us to the land of paradox. The word koan is frequently translated as puzzle or riddle. I like Aitken Roshi’s meaning: “a matter to be cleared.” The language of koans is called the “language of the dragons” because it can be enlightening as well as terrifying at times. It is the language of the opposites. Zen Master Huineng had this advice: “If in questioning you, someone asks about being, answer with non-being. If he asks about non-being, answer with being. If she asks about the ordinary person, answer in terms of the sage. If she asks about the sage, answer in terms of the ordinary person. By this method of opposites mutually related there arises the understanding of the Middle way. For every question that you are asked, respond in terms of its opposite.”

Ford’s book is divided in three parts: “The Heart of Zen,” “The Practices of Zen,” and “Living Zen.” Ford is a great storyteller; he makes koan practice approachable and not so much like working with the dragons. He quotes Zen Master Seung Sahn’s example of what emptiness means: “Here is a wooden chair. It is brown. It is solid and heavy. It looks like it could last a long time. You sit in the chair and it holds up your weight. You can place things on it. But then you light the chair on fire and leave. When you come back later, the chair is no longer there! This thing that seemed so solid and strong and real is now just a pile of cinder and ash, which the wind blows around. This example shows how the chair is empty: it is not a permanent, abiding thing. It is always changing. It has no independent existence. Over a long or short time, the chair will eventually change and become something other than what it appears. So this brown chair is complete emptiness. But though it always has the quality of emptiness, this emptiness is form: you can sit in the chair, and it will still hold you up.”

Zen practice requires three things: great doubt, great faith, and great determination. The most famous koan is Zhaozhou’s mu. A student comes to Zhaozhou and asks, “Does a dog have Buddha nature?” Zhaozhou replies, “Mu.” Mu means no, but that is not all. It is an invitation to delve into Great Emptiness. It means, “Although it is, it isn’t and although it isn’t, it is.”

I am tempted to ask: Ajahn Chah’s glass of water and Seung Sahn’s brown chair—are they the same or different? The two books would answer.

Dhananjay Joshi

The reviewer, a professor of statistics, has studied Hindu, Zen, and vipassana meditation for forty years. He is a regular reviewer for Quest and volunteers in the archives department of the TSA.


Egregores: The Occult Entities That Watch over Human Destiny

Egregores: The Occult Entities That Watch over Human Destiny

MARK STAVISH
Rochester, Vt.: Inner Traditions, 2018. xviii + 140 pp., paper, $16.99.

It is a basic Theosophical idea: thoughts are things. Although mental images have no physical substance, they are composed of a subtle mind-stuff sometimes called the astral light. Most of them are evanescent: they have no independent life or power. But if a certain kind of energy is directed toward them, they can gain power and cause effects in the physical world.

If this is true of individuals’ thoughts, it must be even more true of thoughts that are held by many people. Egregore is the name for these collective thought-forms. It comes from the Greek grēgoréōto be awake or to watch. It appears to have been coined by the French author Victor Hugo, who uses it in the first part of his poem La légende des siècles (“The Legend of the Centuries”), published in 1859. Hugo describes one character who “knows the art of evoking demons, vampires, and egregores.”

As Mark Stavish points out in his new book, the term was popularized soon after by the occultist Éliphas Lévi, who connected it with the mysterious “watchers” mentioned in the pseudepigraphal text 1 Enoch. They were supposedly the sons of God who lusted after the daughters of men, cryptically mentioned in Genesis 6:2. From Lévi, the idea made its way into the French occult tradition called Martinism.

But it was Russian esotericism that brought the concept to the fore. Grigorii Osipovich Mebes (1861–1930), a Freemason and Martinist, is virtually unknown in the West, but he has been extraordinarily influential through the work of two of his disciples: Dymitr Sudowski (1898–1966), who, using the pen name Mouni Sadhu, wrote the widely read book The Tarot, and Valentin Tomberg (1900–73), author of the anonymously published but acclaimed Meditations on the Tarot. It is not quite clear how Mebes viewed egregores, but his disciples gave them a great deal of attention. Mouni Sadhu describes how they are created:

Imagine that an intelligent and well-disposed man, who is able to concentrate, is thinking about a good idea, giving it a certain form. He may then find others, who have the same or similar ideas, and so a circle of men may come into being, who are all thinking along the same lines but in a different form. It is as if every one of them is repeating the drawing of a plan, placing a pencil again and again along the same contours. The thing grows in strength, develops an astrosome [astral body] and becomes an “Egregor” or collective entity.

Mouni Sadhu believed that there could be both good and bad egregores, but Tomberg did not: to him, egregores were always bad. In fact he discusses them in his chapter on the Tarot trump of the Devil. For Tomberg, the meaning of the Devil card is (in Stavish’s words) “to illustrate how individuals can lose their freedom to an entity that they or others have generated—an entity that is an artificial being whose creator becomes its slave.” Mouni Sadhu cites as examples nations, states, religions, and “even minor human organizations.” We could add political parties and sports and celebrity fandom.

The subtitle speaks of “occult entities that watch over human destiny.” That is, egregores can be more than simple collective thought-forms. They can also be, in Stavish’s words, “the home or conduit for a specific psychic intelligence of a nonhuman nature connecting the invisible dimensions with the material world” (emphasis his). They are not necessarily mere creatures of imagination. They can serve as astral vehicles by which supernatural entities can interact with us.

Stavish gives a brief but engaging history of the concept in modern times, taking us from horror writer H.P. Lovecraft, with his tales of the “Old Ones,” to the Italian esotericist Julius Evola, to the Ancient and Mystical Order Rosae Crucis (AMORC), to Napoleon Hill, author of Think and Grow Rich. An appendix from a 1929 Italian esoteric magazine edited by Evola even describes a ritual reviving the egregore of ancient Rome around the time of World War I. A message was conveyed to a Milanese newspaper publisher saying, “You will be Consul of Italy.” The publisher was Benito Mussolini. After Mussolini’s famous March on Rome in 1922, we are told, “a person clothed in red came forward and handed him a Fasces.” Thus was the fasces—originally the symbol of the Roman republic (it is still displayed in the U.S. House of Representatives)—transposed into a symbol of totalitarianism.

Stavish includes a useful chapter on freeing oneself from egregores. One technique, taken from Meditations on the Tarot, involves making the sign of the cross in the four directions and reciting Psalm 68:1–2: “Let God arise, let his enemies be scattered: let them also that hate him flee before him. As smoke is driven away, so drive them away: as wax melteth before the fire, so let the wicked perish at the presence of God.” Additionally, “one must spin three times to the left and cross oneself.” A less august method, discussed by scholar of esotericism Joscelyn Godwin, is “therapeutic blasphemy.” For those enslaved by degenerate forms of Christianity, Stavish writes, this might involve “a period of public denunciation of Christianity. . . . Otherwise they are doomed to remain perpetually under the thrall of the cult of the creed-making fishermen.”

The idea of egregores could inspire paranoia in a certain kind of personality, and of course that is unwise. But it is no doubt a good idea to remember that false idols can take the form of thoughts and ideas as well as objects. Stavish’s book is a timely, intelligent, and enjoyable reminder of this truth.

Richard Smoley 

 A Russian esotericist informs me that Mouni Sadhu’s book is based on Svyashchennaya kniga Tota: Velikiye arkany (“The Holy Book of Thoth: The Major Arcana”), by Vladimir Shmakov, published in Moscow in 1916. To my knowledge this work is not available in English, except in automatic translations.


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