Quest Magazine

 by Ma Jaya Sali Bhagavali
Ganga Press, Roseland, Fla., 1994; hardcover, xiii +85 pages.

It is tempting to call epic a poem that fills 85 pages and takes about 75 minutes to read a loud, especially one that addresses the panorama of life and death. But The River is intimate by nature, and is not intended to impress with the immensity of what it describes but to reveal in fleeting moments the ineffable stillness of the spirit.

The first seven lines announce what is to become the recurring motif: 

Children play by my River
Sadhus stay by my River
Cities old by my River
Temples made of gold by my River
Cows stray all the day by my River
Young men and women now die
by my River
We are all the widows who cry
by my River

 Those ideas recur no fewer than thirty-two times in whole or more often in part as a leitmotif, always recognizable but never quite the same. The poem flows rhapsodically, unfettered either by metrical regularity, strict rhyming scheme, or end-of-line punctuation. The seemingly naive sense of rhyme is one of several characteristics that give The River its flavor. The rhyme may shift suddenly to midline and signal a change of direction. Free association suggests the river's course and creates palpable, sensuous impressions of flowing, cresting, and subsiding. Whether mighty and sonorous or hushed and whispered, the expression is both unpretentious and mystical, calling to mind another poet of divine vision, William Blake.

The author's introduction declares her purpose "to bring to the many the beauty of my River, the Ganga-the sacredness of her abundance, the joy of her waters, and the fact that her holiness can and does heal ... sorrow in this time of the AIDS plague." As founder and spiritual head of the transdenominational Kashi Ashram in Roseland, Florida, Ma Jay Sari Bhagnavati directs her ministry of service for the most part toward society's marginalized, including many HIV-positive people and AIDS patients.

Much of the poem presents imagery of death that might appear horrific to the Western sensibility-corpses burning in the cremation ground, the smell of charred flesh mingling with the scents of jasmine and musk, ashes set afloat upon the river's breast, the black goddess Kali's fearsome dance. The pictorial realism evokes heat and sunlight, the mystery of night, the teeming life along the river's banks at play and at prayer, in joy, ill sorrow, and in release. The river becomes a metaphor for the totality of being, which enfolds life and death together. It presents the naked facts of temporal existence-of birth, growth, maturation, decay, and death, and all their attendant pleasure and pain-in the context of that larger reality, call it God or Brahman. The poem conveys the joy of embracing all of life's aspects and living passionately with fearlessness. The Ganges is also personified as the mother goddess, and finally it is revealed as transcendental reality itself.

Descriptive passages, dialogue, storytelling, allusions to myth, exhortation, and praise present the richness of Shaivite and Tantric Hinduism with an admixture of Zenlike immediacy. The poet speaks through various voices as an observer on the river's bank, a child, an ascetic, and soon, culminating in ecstatic identification with the divinity that the river represents.

Purists may object to four instances of split infinitives, to a pronoun in the wrong case, to two misuses of the word "lay" for "lie," and one occurrence of "piers" where "pyres" is meant. In addition there is a reference to Brahma, the god of creation, where Brahman, the formless reality, is meant. These, however, are minor details that can be corrected in a future printing. More troubling is the unexplained alternation of the Sanskrit "Ganga" (nominative) and "Gange" (vocative) throughout the poem without regard to grammatical sense. The allusions to Hindu myths do not always make themselves sufficiently clear and seem to assume the reader's previous knowledge of the stories. Also, a glossary would have been helpful to those who may not be familiar with the Sanskrit and other Indian terms employed.

Much care has been lavished on the book's design: it is clothbound in black and stamped with gold, with deep red endpapers and rich ivory stock. A Shiva trident symbol head s each page of text, and headbands and a bound-in red ribbon bookmark add to the impression of quality. The glossy 'black dust jacket bears a glowing, full-color reproduction of a painting by the author, who has won critical acclaim for the power of her naturalistic, primitive canvases. The River is a book to be cherished and read again and again.

-DAVID NELSON

Summer 1995

Sex, Ecology, Spirituality: The Spirit of Evolution

by Ken Wilber
Shambhala Publications/Random House, New York, 1994; hardcover, 816 pages.

A long time ago, human beings lived in perfect harmony with nature and each other. We were not alienated. We did not abuse the planet. No one dominated anyone. We lay down with lion and lamb and every thing was bliss. Then something happened. Call it original sin. In any case, the honeymoon was over. The primal split, the ancient rift, the great gulf between ourselves and the cosmos opened and we were unceremoniously kicked out of the garden. Since then everything has been a mess.

In one version or another, this is a standard new age criticism of the modem epoch. It is also a feminist indictment of patriarchal oppression, an environmentalist assessment of the root of our ecological crisis, or any combination of the above. Ken Wilber's massive new work is an unrelenting attack on this simplistic fairy tale and an incisive analysis of its influence on contemporary social, cultural, and spiritual thought. Wilber has thought long and hard about the state of spirituality, and has concluded that many of its cherished icons and deeply held beliefs are not quite what they seem. His reasons are spelled out in exhaustive detail in the book's densely packed pages, a good 250 of which make up notes to the text.

Wilber is at pains to make clear why he finds the stereotypic anti-modern, anti-masculine, anti-progress critiques unsatisfying, bending over backwards to qualify his reservations with strings of parenthetical remarks. Yet if there is one definite statement to make about this exciting, frustrating, and challenging work, it is this: he will not make many friends with it, a sure sign he is onto something significant.

Wilber's basic theme is that our late twentieth -century intellectual and spiritual milieu is dominated by what he calls a "Descender” worldview, essentially a vision of life that denies the transcendent dimension and that sees the whole of reality in the physical world of the senses. Here we find strange bedfellows. Postmodernists, deconstructionists, reductionists, scientists, feminists, masculinists, "eco-fascists," devotees of the "new physics," and systems theorists all carve out different portions of what Wilber calls the "flat-land cosmology" of the Descender universe. An opposite, though less prevalent. camp is made up of the "Ascenders:” adherents of world- rejection. These include Gnostics, Cathars, Manichaeans, some Platonists, pessimists, like Schopenhauer, Theravadin Buddhists, archetypal psychologists, and an assortment of various "higher self" aficionados.

Both groups are guilty of a tragic partiality. in Wilber 's view, Descenders err by sinking into the physical cosmos in hopes of reaching a false totality: Ascenders by rejecting the physical plane in pursuit of "other worlds:” Both, Wilber argues, are halves of a fractured worldview that bridges the gulf between world-affirmation and world-rejection. He finds a uniting worldview for this split in Plotinus and Friedrich Schelling in the West, in Sri Aurobindo and Nagarjuna in the East. Sex, Ecology, Spirituality traces the sources and analyzes the effects of this debilitating bifurcation across the vast canvas of human history. Understandably, Wilber pays particular attention to the postmodern era, a time when the two opposing camps have at least a chance of coming together-or, equally likely, of recoiling even further apart in a schizoid polarization of the human spirit.

Wilber 's scope is ambitious, nothing less than from the Big Bang to the present era, and he is equally at home with new age gurus or postmodern pundits. The backbone of the work is the idea of "the holon,” a coinage made by Arthur Koestler in his 1967 classic The Ghost in the Machine. Wilber adopts Koestler's concept of "whole/parts" as the basic structural components of reality. Drawing from the work of philosophers Jurgen Habermas, Jean Gebser, and Michel Foucault, as well as the psychologist Jean Piaget, he embarks on a less-than-straightforward narrative of the evolution of the cosmos, life, mind, and civilization. That evolution, according to Wilber, has suffered from the Ascender /Descender split for a good 2,300 years. Wilber concentrates on unraveling the psychological and ontological knots these opposite outlooks have tied in our understanding of ourselves and the universe. In an era of postmodern free-for-alls and deconstructive double-think. Wilber has his work cut out for him. So do his readers.

What Wilber finds lacking in today's worldview is the notion of hierarchy, the Great Chain of Being that for centuries was the accepted vision of "the way things were." Nowadays, hierarchy is a bad word, smacking, for the politically and cosmologically correct, of dominance, oppression, and male superiority. Yet, as Wilber makes amply clear, the various critics of hierarchy confuse its abuse with its genuine character. Their "heterarchic" alternatives share a common flaw: by emphasizing the equal significance of all perspectives, they wind up affirming that anyone perspective is as good as any other, a stance that lands them in a mire of relativism. Confusing "pathological dominator hierarchies," which should be opposed, with authentic levels of Being, the various opponents of the Great Chain-whether deconstructionists, radical feminists, animal rights activists, or cultural relativists---end up with a flatland cosmology that, Wilber contends, confuses broader, though more superficial, "span" with deeper "depth."

The various "holistic" cosmologies and systems theory approaches 10 the environment gel short shrift from Wilber. Although they have indeed "shown that everything is connected to everything else," what they fail to include in their" interlocking systems" is the transpersonal dimension, the realm of value. This cannot be accounted for in holistic cosmologies that base their gauge of significance on size rather than depth. Most of these theorists are of the "bigger is better" school, Wilber argues. They ignore the obvious architectonics of the cosmos: galaxies are unimaginably large entities, enjoying an immense span, yet they are relatively simple. The human brain is a rather small object, cosmically speaking, yet it is infinitely more complex than a galaxy. And as far as we know, it houses perhaps the deepest thing in existence, the mind.

Holistic thinkers err in claiming that because it is more fundamental, the biosphere-the realm of organic life- is more significant than the noosphere- the realm of mind. For Wilber the precise opposite is true. If "the ultimate character pervading the universe is a drive toward the endless production of new syntheses," he tells us, then the holists have their priorities wrong . The noosphere isn't in the biosphere; the biosphere is in the noosphere-embraced, transcended, yet retained. Yet "because evolution is not bigger and better, but smaller and better (greater depth, less span) these theorists ... end up unknowingly recommending regression as our salvation."

Some theorists do not recommend regression unknowingly. Another of Wilber's bêtes noires are the various Romantic schools that have cropped up in the last decade or so. These include the men's movement, eco-feminism, various shamanistic "ways," the "archaic revival," and others. Each school adheres to some version of the "Great Crime," a rundown of which began this review. Each vies with the others in attempting to push back the clock to humanity's supposed pure and pristine participation with nature. Eco-feminists see it in the horticultural age: eco-masculinists, with hunters and gatherers.

The Great Crime of our separation from Mother Earth has led to alienation and oppression, these theorists claim, so, according to Wilber, they hop into their "Way Back Machines" or onto "The Regress Express," in order to return to Day One. Wilber appreciates the value of their sentiments, but says "it is one thing to remember and embrace and honor our roots; quite another to hack off our leaves and branches and celebrate that as a solution to leaf rot."

Seeing as much danger in Romantic regression as in rationalist reduction, Wilber doesn't hesitate to point out some of the questionable aspects of such grand men of alternative thought as C. G. Jung and Joseph Campbell. In Jung's archetypes he finds not the numinous symbols today's Jungians do, but a collection of fairly typical, earthbound experiences. Wilber agrees that it is important to embrace these subliminal, prepersonal spheres, but denies that they have anything to do with higher, spiritual planes. (He makes a similar criticism of Stanislav Grof's "Basic Perinatal Matrices") Campbell's work in mythology, Wilber argues, suffers from a hermeneutical confusion. In rejuvenating myth as an alternative to modern rationality, Campbell fails to realize that his appreciation of ancient myths is very different from that of the people for whom myths were a matter of course. Campbell, Wilber tells us, had the benefit of reasoning about the myths, the very quality he is eager to deflate. Jung and Campbell are not the only recipients of Wilber's extensive critique; I mention them only to give an idea of the not-so-cozy corners one is led to in reading (his book.

Although unquestionably a tour de force, Sex, Ecology, Spirituality isn't without its weaknesses. Wilber 's style is breathlessly abstract , and the ubiquitous qualifications break up the narrative flow. And when he leaves his occasionally impenetrable academese, he often descends into chummy argot ("French kissing the Shadow") or ascends into lofty, though nebulous, rhetoric. Having agreed with and appreciated his razor-job on some of our more muddle-headed ideologies, I was less than convinced by his own conclusions.

Having shown up the flaws of Ascenders and Descenders alike, Wilber rolls out his own version of "how things are." Yet more often than not, this is announced in a voice of such singing, almost childlike yearning that, while I had no trouble detecting the emotion, I can't say I came away clear on the ideas. I believe they are there; Wilber is no mean thinker, but perhaps his very urgency blocks straightforward expression. (And having Hegel, Habermas, and Da Free John as spiritual mentors does not ensure a limpid style.) One also wonders about schematizing consciousness. In a closing note, Wilber remarks that when Jean Gebser said that Jesus and Meister Eckhart embodied the "integral structure" (Gebser's term for the newly emerging next phase of human evolution), he was "far short of the mark," and then goes on to state that " beyond" the integral are "the psychic, the subtle, the causal, and the ultimate." This may very well be true, but it did remind me of P. D. Ouspensky's reply to the lady who asked him if the Buddha was the "seventh level of consciousness." "I don't know," Ouspensky replied. "And I don't care."

Without criticizing legitimate hierarchies, the concrete reality of human experience is lost in these abstract pecking orders. Likewise, Wilber's Ascender/Descender motif, though a handy and wieldy tool, is so broad as to include everybody not partial to his take on things. And is everyone either an Ascender or Descender? I can think of at least half a dozen individuals who might find a spot in both camps.

Nevertheless, these quibbles aside, Sex, Ecology, Spirituality is an important book. It is bracing to see a writer associated with "fringe" fields of thought taking on the whole spectrum of late twentieth century culture. If this is Wilber's attempt at a crossover book, it's a good shot. After slapping the wrists of some of the most popular alternative thinkers, Wilber is sure to offend a great many readers, yet this kind of criticism is a tonic. Whether we agree with his assessment or not-and as this is the first of a projected mammoth trilogy we must keep an open mind-this book challenges us to rethink our beliefs in the company of the great books.

-GARY LACHMAN

Summer 1995

Wise Women of the Dreamtime: Aboriginal Tales of the Ancestral Powers

collected by K. Langloh Parker, edited with commentary by Johanna Lambert
Inner Traditions International, Rochester, Vt., 1994; paper.

Australian aboriginal culture is thought to have existed in its present form for 150,000 years. These stories may be the oldest in the world. At once touching and potent, they were collected and scrupulously retold around the turn of this century by K. Langloh Parker, one of those amazing Victorian women who broke all the rules and fought her way our of the prejudices of her time to an appreciation of an alien, yet wiser, culture.

Johanna Lambert's commentary is subtle, lucid, and jargon-free, placing these deceptively simple tales within the larger context of the world's great wisdom literature.

This selection concentrates upon the manifold aspects of the Cosmic Feminine. It stands as an antidote against the chronic patriarchal hubris that has brought our planet to its present pitch, but is also effective against that shrill and strident feminism that is no more than patriarchy's equally unenlightened obverse. This is an inspired and unremittingly fascinating book, and beautifully produced and illustrated, too.

-JOHN ANTHONY WEST

Spring 1995

The Imagination of Pentecost: Rudolf Steiner and Contemporary Spirituality

by Richard Leviton
Anthroposophical Press, Hudson, N. Y, 1994; paper, 464 pages.

Channeling, the purported bringing forth of messages from beings on the "other side," has become a key aspect of the metaphysical revival of the past decade. Methods of channeling vary, ranging from a person going into a trance and letting another being speak through the person's vocal cords, to just writing down what one hears on the "inner," But how are we to evaluate channelers, the "entities" being channeled, and the information which comes forth?

Richard Leviton, in The Imagination of Pentecost, suggests that one way to evaluate channeling is to consider the ideas of Rudolf Steiner, An early member of the Theosophical Society, Steiner later founded the Anthroposophical Society and is perhaps best known for his educational ideas and for having introduced Waldorf education into the world. Besides being well-versed in Theosophy and Western philosophy, Steiner also claimed to be clairvoyant. He broke from the Theosophical Society when Annie Besant began speaking of a new world teacher and when Steiner's own clairvoyant insights seemed to contradict certain Theosophical concepts. His own ideas were also solidly rooted in the Christian mythos more than in the Eastern tradition on which Theosophy draws.

Leviton gives an overview of Steiner's rather complex ideas, including his evolutionary view of history. In the planet's early his history, Steiner said, humanity bad easy access to the higher dimensions, but individual humans had no egos of their own. As time went on, they began to develop egos, but the price was that they became increasingly materialistic and lost access to the higher dimensions. According to Steiner, this decline had reached its lowest point at the time Christ incarnated on earth in Jesus of Nazareth,

The development of ego was actually a necessary step in human evolution, according to Steiner, but the time had come to bring spirituality back to the planet. By shedding his blood in the crucifixion, Jesus forever established an etheric link between Earth and the spiritual worlds (blood, Steiner said, contains etheric energy). From then on, humanity as a whole has been able to access the spiritual worlds but, unlike ancient times, humans also now have individual wills, In Steiner's view, evolution has taken an upward turn and humanity will therefore become increasingly spiritual.

Steiner also said that Christ returned earlier in this century, but not in a physical body, Christ "came down" to the etheric level of the Earth, where all will eventually be able to see Him after developing spiritual perception.

What does all this have to do with channeling? Steiner frowned on channelers (or mediums, as they were called at the time), who go into a trance and are totally unaware of the messages they bring forth. He said that this is a throwback to earlier times in history when humans did not have individuality. In our age, we must consciously access the spiritual worlds and consciously develop our spiritual abilities. In fact, Steiner said that in the future we will all be able to speak as the Logos, just as the apostles were able to do at Pentecost.

Leviton points out that Steiner would have considered the current fascination with Unconscious channelers who bring forth messages from astral beings a dangerous trend. In fact, Steiner believed that there are two spiritual beings, Lucifer and Ahriman, who try to mislead humanity (even though they, too, are ultimately part of the Divine Plan). Leviton describes these beings in great detail and offers his own ideas about their work.

Leviton has embarked on a monumental task in attempting to show how Steiner's ideas apply in our time. While largely successful, he often presents Steiner's ideas with an excessively reverent attitude. Steiner's warnings against unconscious channeling were hardly new, having been expressed in both Hindu and Buddhist traditions and by H. P. Blavatsky and other early Theosophists as well.

Perhaps what is most troublesome about this book is the fact that although Leviton reiterates Steiner's emphasis on conscious spiritual development, readers are given no idea how to go about developing their own spiritual potential. It is left unclear whether Steiner gave any spiritual exercises for people to do. If he did, Leviton should have included at least some preliminary exercises. In the introduction, Leviton tells of his own spiritual awakening, but it was apparently not achieved through Steiner's techniques.

The Buddha told his followers to test all his words for themselves, and gave techniques for doing so. Without a means of verifying another person's clairvoyant or spiritual revelations for oneself, a person is left with little reason to value those revelations over any other. Without a means for the reader to verify the material, it matters little whether the channeler is conscious or unconscious.

Despite these flaws, Leviton has, on the whole, done a great service in bringing Steiner's ideas into the modern age, In many ways, this book acts as a kind of "Cliff's Notes" for Anthroposophy. Whether one agrees with Leviton or not (and many, including Theosophists, will find points to disagree with), he does stimulate thought and offers an intelligent and spiritually perceptive look at many metaphysical teachings. In a time when books with watered-down, simplistic metaphysics abound, this is an important contribution.

-KEVIN KORODY

Spring 1995