Innocence and Decadence: Flowers in Northern European Art 1880-1914

Innocence and Decadence: Flowers in Northern European Art 1880-1914

Chichester: Pallant House Gallery 1999. Paperback, 116 pages.

This catalog of an exhibit shown in the Netherlands, England, and France (kindly called to our attention by Paul Zwollo) reproduces stunning works of art in several media with accompanying text and background essays. The works depicted in this volume are especially noteworthy for their symbolic and specifically Theosophical associations. The introductory essay "Flowering Symbols," by Mary Bax, comments (13-6):

Between 1888 and 1891 artists developed a complex and revolutionary theory of art as a result of ideological skirmishes with one of the most important new esoteric movements of their time, Theosophy….

Because of its exoticism and universalism, the Theosophical Society, which was particularly active in France between 1883 and 1890, became a melting pot of various esoteric currents that already existed in France but which under the influence of the new Theosophical movement's dynamism gained new elan, emancipated itself and subsequently exerted great attraction on artists. These movements included Rosicrucianism, Swedenborgianism, Cabbalism and Freemasonry, and even all sorts of manifestations of the Christian faith. The mutual interchangeability of the ideas that were circulating can only be explained when one realises that they all belonged to the age-old tradition of Theosophy, which the Theosophical Society was trying to breathe new lifeinto.

As a result of the resurgence of esotericism, forms of "primitive Christianity" also gained recognition. Not only did this include Byzantine Christianity (the first, institutionalized form of Christianity), but also ecumenicism, such as was originally meant by the word "katholikos" (in other words, Christian "universal brotherhood").

Among the typical Theosophical characteristics that Bax identifies as relevant to the art of this period are the unity of all existence, the impersonality of ultimate Reality, the law of analogies or correspondences, simplicity as the earmark of truth, an emphasis on personal mystical experience of spiritual reality, an esoteric doctrine or "inner learning," and an emphasis on Eastern, Neoplatonic, ancient, and primitive cultures. In the Netherlands, a group of artists including Frans Zwollo founded the Theosophical Vahana Lodge for artists, which taught courses in design and esthetics and eventually developed a variant of Art Nouveau called "New Art," which emphasized geometrical representations of nature.

Working within this tradition of Theosophical metaphysics and nature were Jan Toorop, Pier Mondrian, Vincent van Gogh, and a great many less well known artists. Indeed, Bax reports that Theosophists dominated the various Netherlandic schools of applied arts, constituting more than half of their faculties.

This catalog depicts important examples of floral art from the movement, illustrated in full color, with commentary on the works symbolism and Theosophical significance.

-JOHN ALGEO

March/April 2000


Voices of the Rocks: A Scientist Looks at Catastrophes and Ancient Civilizations

Voices of the Rocks: A Scientist Looks at Catastrophes and Ancient Civilizations

By Robert M. Schoch, with Robert A. McNally
New York: Harmony Books. 1999. Hardback, 264pages.

The scientific study of the nature and structure of our planet and its geological history has advanced enormously in recent decades, so that we arc now able to make verifiable statements concerning much that was formerly in the realm of myth and speculation. In this book, Robert Schoch, assisted by science writer Robert McNally, applies the latest geological and astronomical understanding to address some big issues and events in the history of humanity and especially of ancient civilizations. This well-written book counters many of the extravagant and sensationalist claims by authors such as Graham Hancock, who foretell great cataclysms supposedly due to planetary alignments, which, as Schoch notes, occur on average once every century!

Robert Schoch is well trained in both geology and anthropology and is committed to the proper application of the scientific method. He describes the profound paradigm shift that has taken place in geology, in that we now see "the history of Earth, of all living beings, and of human civilizations [not as slowly changing, but] as a series of stops and starts, in which equilibrium comes to an abrupt end with a sudden severe catastrophe." Such catastrophes include the impact of extraterrestrial objects, volcanic eruptions, earthquakes, and floods.

In just 264 pages of well-referenced chapters, Schoch guides the reader through many exciting topics: catastrophism, the age of the Great Sphinx of Giza (7000 to 9000 years), the megalith circle at Nabta in the Nubian desert (one pair providing "a line of sight to the horizon where the summer solstice sun rose about 6000 years ago"), and the engineering sophistication of Jericho (8300 BC) and ancient Catal Huyuk (Turkey). Schoch maintains that civilizations date back thousands of years earlier than most archaeologists wish to admit.

Many theories about the lost civilization of Atlantis are discussed. Schoch favors the ideas of Mary Settegast, who in her book Plato Prehistorian equates the Atlanteans to the Magdalenian Paleolithic culture of the Lascaux cave art in western Europe. He also discusses the widespread traditions of a great flood, volcanic catastrophes, and wobbles of the Earth's axis.

Only as recently as the 1950s have scientists agreed that most craters on the Moon and quite a few on Earth resulted from meteorite impacts. Recent astronomical observations have also confirmed the presence of many asteroids whose orbits may intersect the Earth's. Such bodies and cometary debris are capable of occasionally hitting our planet. Schoch discusses the evidence for such "fire from the sky" and the "coherent catastrophism" of British astronomers Clube and Napier, who propose that predictable astrophysical events regularly send swarms of objects into the inner solar system and thus endanger the earth, Schoch discusses the human and environmental effects that follow such meteorite showers.

Schoch ends by summarizing the modern scientific view of the terrestrial environment and the factors that keep it in healthy balance. He shows that the new developing paradigm for our planet includes the Gaia hypothesis of James Lovelock and Lynn Margulis, with life itself playing a major role in shaping the environment. Increasing human interference in the earth's climate and the threat of significant meteoritic impact provide a sobering finale to this comprehensive presentation.

This book is an excellent companion to another scientifically researched recent book covering the pre-Middle-Eastern origins of civilizations: Eden in the East: The Drowned Continent of Southeast Asia by Stephen Oppenheimer. This book is thoroughly recommended to all readers who would like to understand better how modern geological knowledge illuminates our wondrous and complex human history.

-VICTOR A. GOSTIN

March/April 2000


Atlantis: The Andes Solution: The Discovery of South America as The Legendary Continent of Atlantis

Atlantis: The Andes Solution: The Discovery of South America as The Legendary Continent of Atlantis

By J. M. Allen
New York: St.. Martin's, 1999. Hardback, 188 pages.

"Perhaps one of the greatest unsolved mysteries of our time is the site of the lost island of Atlantis." With this opening sentence, J. M. Allen establishes the common ground between his work and that of hundreds of other authors.

Plato's account of Atlantis describes the size and location of the island, as well as many of its geographical features. Despite the efforts of many fervent believers, no location on earth has been found to answer to all the details in the Atlantis story. J. M. Allen believes he has found Atlantis in the high plain or altiplano of Bolivia.

The book is illustrated with black and white aerial photographs that lend credence to the existence of a civilization in the area at some early time. Perhaps the most entertaining part of the book is the author's account of his trip into the desert to examine close up the features he had previously viewed only in aerial photographs. This account includes his experience with the local bureaucracy, which stands as a warning to the unprepared tourist in Bolivia.

Allen tends to wander from his topic. The book includes, for example, discussions of the conquest of Central and South America by the Spanish, great under, ground tunnels said to exist in South America, early exploits of the Phoenicians, the effort to measure longitude accurately, the sea-going reed boats of the Sumerians, and the explorer H. P. Fawcett. Though unrelated to either the Atlantis story or to the vanished civilization of the altiplano, these vignettes are interesting and entertaining.

Allen makes the capital of Atlantis an island near the shore of a now dried-up inland sea, high in the Bolivian Andes, ignoring the clear statement in Plato's story that the island city was in the sea. This contradiction is explained (without supporting evidence) by stating that Plato's description is impossible and that the location must have been an inland sea.

A review of this book, "Atlantis of the Altiplano: The Latest Theory Regarding an Ancient Mystery" (Mercator's World, March-April 1999) is illustrated with three colored maps, one of which is from a nineteenth century work by the Theosophical Publishing Society, London. The reviewer also visited the site and recorded his own impression that there is evidence of previous habitation in the area of this high mountain plain. But it could be that of a local prehistoric civilization, rather than anything supporting the Atlantis story. Similarly, John Blashford-Snell, in the foreword to Allen's book, concludes, "I am confident that the remains of a hitherto unidentified culture may well be discovered in this region," without committing him, self to its putative Atlantean connections. In spite of its weakness, this book can, rains much of value. There are those who feel that the mysteries of the Atlantis story will be solved one day, if only we look hard enough. J. M. Allen is to be applauded for continuing the search.

-MAURICE SECREST

January/February 2000


Reading the Bible: An Introduction

By Richard G. Walsh
Notre Dame, IN: Cross Cultural, 1997. Hardback, 620 pages.

Reading tile Bible is designed as an introductory textbook. The work begins with a ninety-two page discussion of what the Bible is and of various literary-critical approaches to its study, delineating the differences among the various academic approaches.

Walsh's interests are almost entirely literary. His eye is always on the structure of the text, not the cultural context out of which it arose. Literary analysis also takes precedence over theology, which is frequently understood in terms of symbols, motifs, and figures of speech. Or rather, literary analysis becomes theology.

Although the author shows consider, able understanding of the Biblical texts he examines, he is also quite certain that the worldview of the Bible simply does not "fit" with the modern world. Because of this, he describes the Bible as "in decay" in the West, no longer able to supply us with a worldview or "social glue" or even a "vehicle to the sacred." "In sum," he says, "the Bible is an alien myth in the modern West" which may supply certain ethical perspectives and symbols and aesthetic ideas but which no longer can unite society as a whole. It can only supply what he calls "debris," not a unified vision.

Whether the "modern worldview" is as universally accepted and impregnable to criticism as the author suggests, is an open question. In this postmodern, postindustrial age, the modernism the author describes may be also in serious decay and only supply us with "debris" itself. In every age, the Bible has been subject to reevaluation and interpretation. It may appear to us that its message fit easily into the Roman Empire or semi-pagan Medieval European culture, but it did not. In every generation, the Bible has seemed alien. Nevertheless, the great interpreters have always revealed how the Bible still speaks to the new age. Walsh is not interested in that task; his aim is not to revive and resuscitate but to provide postmortem dissection.

-JAY O. WILLIAMS

January/February 2000


Forest of Visions: Ayahuasca, Amazonian Spirituality, and the Santo Daime Tradition

Forest of Visions: Ayahuasca, Amazonian Spirituality, and the Santo Daime Tradition

By Alex Polari de Alverga. Rochester
VT: Park Street Press, 1999. Paperback, xxxiii + 255 pages. 

A leap of faith is required to fully appreciate this fascinating tale, the same leap already made by the Santo Daime religious community in the Brazilian Amazon: that a highly intelligent divine being, at times called "the Daime," "Juramidam," or "the Christ energy," somehow inhabits ayahuasca, an ancient shamanic, psychoactive drink prepared by brewing together the jagubr vine with the rainha leaf.

For those familiar with Terence McKenna's similar claims about psilocybin mushrooms, or the Native American's relationship to peyote, this is not such an outrageous proposal. But to the uninitiated and the skeptical, it could easily sound like a delusional excuse for substance use. Those in that category should know that CONFEN, the Brazilian government's drug bureau, has conducted extensive on-site studies of the community and have officially approved the drink for religious practices.

Forest of Visions tells this remarkable community's story through the eyes of Alex Polari de Alverga, a former political activist who spent years in jail under the military junta in Brazil and later discovered his spiritual path in the Santo Daime. Alverga had the opportunity to apprentice himself to one of the church's founders, the late Padrinho Sebastiao Melo de Mota, who "rejoined the spirit world" in January 1990. The author's relationship to his padrinho ("godfather") is that of a devoted and adoring disciple to a Master, and there is an innocent sweetness to his love for "the old man with the long white beard and luminous eyes" who led the early "Daimistas" into the heart of the Amazon rainforest to establish their main home in Ceu de Mapia.

The book further reveals a belief held by church members that requires yet another leap, this one more difficult for me: Alverg likens the Santo Daime to the Essenes, and declares Padrinho Sebastiao to be the reincarnation of John the Baptist, taking birth in the Amazon to herald the second coming of Christ-this time imprinted in the Daime and in the hearts of all who awaken-during what the group clearly believes to be the apocalyptic end times. Again, to some, this is perhaps nothing but millennial madness, another strange cult holed up in seclusion in the jungle, waiting for the world to end.

Yet unlike other such groups, the Santo Daime community appears to be stockpiling love and good works, not weapons or lunatics. I had the privilege of participating with them in their religious rituals in 1994 and can confirm what the Brazilian government also found in their investigations: the church is composed of peaceful, hard, working, ethical men, women, and children, with a great generosity of spirit and hospitality. Creating a harmonious sustain, able community is in fact the very fabric of the Daime teachings, which emphasize the importance of translating one's religious revelations into concrete acts of loving, kindness toward all creatures.

The "Daime Works," as their rituals are called, involve lengthy sessions-sometimes all night-in which participants ingest the sacred drink at regular intervals and sing liturgical hymns nonstop. The hymns have been channeled over the years by Padrinho Sebastiao and others and form the actual teaching and doctrine of the church. They invoke a peculiar blend of African and Christian imagery-from Jesus and the Virgin Mary to Mother Oshun of the Waters.

There is often a purgative reaction to the drink at first, particularly for newcomers. I personally never threw up so many times in my life. I remember well those moments at four in the morning, my head hanging out the chest-high church windows that had been designed for that very purpose. But many are showered with powerful visions, personal teachings, and often ecstatic states, induced by what they perceive to be a divine source. Early on, Alverga meets Padrinho Seu Mario, who tells him: "The first rime I drank [the Daime] I found everything I was looking for. I quenched my thirst. I died and was reborn-the man who drank the Daime never returned; the one who came back was a new man."

Opponents of psychedelics often argue that there are no shortcuts to God or enlightenment. The Daime, however, is in fact considered to be a shortcut, albeit a steep and challenging one, divinely dispensed in the rainforest to speed up the evolution of mankind now that time is short. Regardless of where one stands about such remarkable ideas, Padrinho Alex Polari de Alverga has provided a moving firsthand account of an unusual and compelling contemporary spiritual phenomenon.

-ELIEZER SOBEL

January/February 2000


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